You might try it on a sliced tomato, corn on the cob, chicken for quesadillas or tacos, etc. , CUMIN-I don’t care for avocados (the texture is deadly), but cumin is amazing. , ASPIC-tell me, my friends, have you ever made an ASPIC? 68a. My eye skipped right over that’s-not-fuchsia and snagged on that’s-not-turquoise, which had me hollering about the error … and then all was clear. Noticed a smattering of crusty fill in the mix- NEBS, OREL for the second day in a row (Russian city yesterday, Hershiser today), ESTES, old REO, NEBS, … and did I mention NEBS? If NEBS was new to you, know that this is old crosswordese, meaning or beaks.įave fill: T-MOBILE, THIRST TRAP, CONGRATS. What’s the funniest such phrase you can create? Fingers crossed that the pharmaceutical companies getting billions from the US government identify some effective antiviral meds for COVID.įairly solid theme.
Salary increases would work better than poker bets here. Weirdo Musk is surely better known than the school? The theme takes a word, splits it into two words, wraps it in its own components, and clues the resulting confusion as a plausible sentence:
LACK OF MUSICALITY CROSSWORD CLUE FREE
Meantime, feel free to comment if you like! I won’t be able to write up the puzzle till later tonight. There are composers who write specifically for music syndication services such as Dynamic Media and Mood Media, successors of Muzak.NY Times crossword solution, 6 20 21, “Familiar Surroundings” In spite of the international distribution common to syndicated background music artists, it is often associated with artistic failure and a lack of musical talent in the entertainment industry. Because the aim of background music is passive listening, vocals, commercial interruptions, and complexity are typically avoided. * Due to the growing variety of settings (from doctors offices to airports), many styles of music are utilized as background music. Its use has grown worldwide and today incorporates the findings of psychological research relating to consumer behavior in retail environments, employee productivity, and workplace satisfaction. It is typically played at low volumes from multiple small speakers distributing the music across broad public spaces.The widespread use of background music in offices, restaurants, and stores began with the founding of Muzak in the 1930s and was characterized by repetition and simple musical arrangements. It is also used in artificial space, such as music played while on hold during a telephone call, and virtual space, as in the ambient sounds or thematic music in massively multiplayer online role-playing games. * Background music is commonly played where there is no audience at all, such as empty hallways and restrooms and fitting rooms. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day. Listeners are uniquely subject to background music with no control over its volume and content. Background music refers to a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such a concentration, relaxation, distraction, and excitement.
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